Friday, 5 November 2010

Lil Wayne Requested Beats Just Before Leaving Prison

'Mack, I need beats,' Young Money president Mack Maine recalls Wayne pleading in final Rikers Island conversation.
By Mawuse Ziegbe, with reporting by Sway Calloway


Mack Maine
Photo: Emily Donahue/ MTV News

Before he was released from prison Thursday (November 4), Lil Wayne made it clear he would be focused on one thing as a newly freed MC: music.

Young Money president Mack Maine revealed to MTV News, during his "RapFix Live" interview on Wednesday, that Weezy spent their final conversation while he was locked up just rhyming, pushing for tracks to jump on as soon he was out.

(Click for photos of Lil Wayne post-prison)

"He rapped to me. The whole time, he rapped. He rapped a lot of different songs and just kept telling me, 'Mack, I need beats.' So the main ... priority when he comes home is to make sure he has tracks," Maine said. The Young Money exec added that Wayne was in top form, sounding "crazy" and "amazing."

Maine described Wayne as "hungry" and maintained the MC's humility remains the key to his success.

WEEZY WATCH

Bookmark weezywatch.mtv.com for MTV News' complete, round-the-clock coverage of Lil Wayne's prison release and the ensuing homecoming celebrations.

"Wayne treats every project like it's his first and that's way he keeps winning, [he] don't ever get comfortable," he said. "Wayne stays in the studio longer than anyone I know in the game."

Maine likened Weezy's superhuman work ethic to another superstar at the top of his game: NBA phenomenon Kobe Bryant.

"Kobe stays and practices, like, two hours after everyone leaves, after practice ends, and Wayne does the same exact thing. He might stay in the studio like 15 hours, like, honestly from 12 that night to like 1 the next day, the next afternoon," he said. Maine added that the megastar spitter goes at his craft "as if he never made a dollar from music."

Ultimately, Maine chalks up Weezy's enthusiasm to his love of the game.

"He really enjoys what he does," he said. "He doesn't treat it like work."

Are you eager to hear what new music from Lil Wayne will sound like? Tell us in the comments!

Stick with MTV News throughout the weekend for up-to-the-minute reports on Lil Wayne's prison release as we follow him from Rikers Island to his celebrations at home and beyond. Follow us on Twitter @MTVNews for instant updates and bookmark weezywatch.mtv.com for complete, round-the-clock coverage.

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Thursday, 4 November 2010

?Going Pro? ? A Career In Diving

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Ke$ha Gets 'Sleazy' On New Cannibal Track

'Tik Tok' singer trashes a rich guy on her new Bangladesh-produced song.
By Jocelyn Vena


Ke$ha
Photo: Kevin Mazur/ WireImage

Ke$ha doesn't need you or your brand-new Benz or your bougie friends, for that matter. She doesn't need love looking like diamonds. Why? It's sleazy.

At least that's what she's saying on her just-released track, "Sleazy," off her November 22 release, Cannibal. Bangladesh (whose credits include Beyoncé's "Diva" and "Video Phone," as well as tracks by Nelly, Gucci Mane and Ludacris) produced the track, which combines Gwen Stefani's "Hollaback Girl" swagga and J. Lo's "Love Don't Cost a Thing" attitude with a touch of Lil Wayne's "Milli" thrown in for good measure.

Ke$ha likes to party, and this song fits right in with her party-anthem discography. "I don't mean to critique on your seduction/ But your money's not impressing me/ It's kind of weak that you really think you're gonna get my rocks off/ Get my tops and socks off by showing me the dollars in your drop box," she sing-raps.

The song is three minutes and 25 seconds worth of club-banging glory thanks to a killer beat and funky sing-along lyrics (if you're not too shy) like, "Rat tat tat on your dumb dumb drum, the beat so fat gonna make me come, um um um, over to your place." Girl loves innuendo.

The song is the second new track from Ke$ha. Earlier this month she released "We R Who We R," an equally danceable tune from the same girl who brought the world hits like "Tik Tok" and "Your Love Is My Drug."

"I don't want to go away!" she said. "I feel like I'm creating this hopefully very youthful and irreverent movement of the kids, of, like, adolescence. I feel like the parents don't get it, but the kids get it. And they deserve to have more good, positive music. ... It's fun as sh--! So I wanted to give [my fans] that."

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